How often do you hear an album and absolutely need to tell someone about it, as if the life of your mother and father depended on converting at least one flesh-and-blood human to a true believer? Maybe never. If you love music, this probably happens once or twice a month when you’re a teenager, and proceeds to fade into a once or twice a year phenomenon as you grow older. For me, tonight is the tipping point for such an album.
I’ve openly mentioned Dr. Z several times in the past few months, but tonight, I need to unleash. “Three Parts To My Soul,” the trio’s only album, released in 1971, is far from essential. But for several of the people I know reading this, it absolutely crushes.
In the late 90s, when I was in college, I was fortunate enough to work in a somewhat cool record store — Newbury Comics — and was subsequently exposed to a ton of music beyond my immediate punk/hardcore/metal interests. For whatever reason, I found myself attracted to free jazz and prog rock, and Dr. Z represents the height of the latter genre. For fans of early Genesis, Pink Floyd, Yes, Return to Forever, Mahavishnu Orchestra, King Crimson, et al, “Three Parts To My Soul” will be a welcome revelation. If you love J.R.R. Tolkien, virtuouso keyboards, drum solos a la Billy Cobham, uncontrollable guitar progressions, and absolutely fucking ridiculous lyics/vocals, you’re truly in for a treat.

For a full recap, visit the allmusic description of the band/album. Oh, and if you want the album itself, visit ChrisGoesRock, read the review, and scroll down to the ShareBee link.
As I posted earlier via the Trademark Recordings site:
And it would be criminal not to mention our discovery of the year was the epic 1971 prog masterpiece by Dr. Z, “Three Parts To My Soul.” Any album featuring a 5 minute drum solo halfway through track 2 after the phrase, “I was born / In the Middle Earth” leading into an angry chorus of “Three parts to my soul / Spirtus, manes et umbra” goes off.
Also, I would be a jerk if I didn’t mention that Camerin recommended this album to me. For the second year in a row, he successfully turned me on to exactly one band. In 2007, he converted me into a Le Orme fan, specifically due to its album “Felona e Sorona,” which I still feel even more strongly about (if you have any doubts, listen to side A on vinyl, specifically when “L’Equilibrion” breaks into pre-cocaine/gangsta rap jam “Sorona.”)
Prog rock is one of those things you probably hate unless you like Dungeons & Dragons and/or play an instrument. Growing up as a punk rock kid, I was supposed to hate it. But to me, it’s as anti-establishment as playing three chords at 100 watts and 100 mph. To me, it proves the theory that the extremes of any given spectrum are basically the same. And extreme ideals/conditions often, for better or worse, foster incredible results.
Get into it.